He was the premier artist during the Harlem Renaissance. The image has been overlaid with Douglas's signature radiating circles and a beam of light. At the center is the silhouetted female figure of Harriet Tubman, who freed over 400 slaves through her work with the Underground Railroad. He said: “It takes lots of training or a tremendous effort to down the idea that thin lips and straight nose is the apogee of beauty.” His body of work went some way to realizing this aim and in 1963 president JFK welcomed him into the White House in honor of his achievements.This illustration, one of Douglas's earliest known works, was created under the tutelage of German artist Fritz Winold Reiss, who encouraged Douglas to draw inspiration from African art and culture, as well as elements of Art Deco, Art Nouveau, and Cubism. This is in contrast to the area to the right of Tubman, where several more figures (men, women, and children) appear kneeling, standing, and sitting, with one of them reading a book, and another holding a hoe. the only thing that I did that was not specifically taken from the Egyptians was an eye." A leader within the Aaron Douglas, the the father of black American art, told his wife in 1925 that through his work he would upend the notion that you have to be white to be truly beautiful. This illustration, one of Douglas's earliest known works, was created under the tutelage of German artist Fritz Winold Reiss, who encouraged Douglas to draw inspiration from African art and culture, as well as elements of Art Deco, Art Nouveau, and Cubism. We can see Douglas experimenting with all of these influences in this piece. At the far-right side of the image stand tall towers, reminiscent of modern skyscrapers.

Dig in! We can see Douglas experimenting with all of these influences in this piece. Oil on canvas - Bennet College Art Gallery, Greensboro, North Carolina In 1934, Douglas was commissioned to create a series of four murals for the 135th Street branch of the New York Public Library, funded by the Works Progress Administration Federal Art Project. From African Art, we see him using a distinctly Egyptian style, with silhouetted, composite figures in profile arranged in rows. . Several other figures are seen in the background, carrying large loads (likely sacks of cotton) on their heads and backs. At the center is the silhouetted female figure of Harriet Tubman, who freed over 400 slaves through her work with the Underground Railroad. From Art Deco and Art Nouveau, he borrowed bold, angular forms that are abstracted to create an overall sense of symmetry and balance. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet. Several other figures are seen in the background, carrying large loads (likely sacks of cotton) on their heads and backs. Hence the name of the painting, Harriet Tubman is the center of this picture. The image shows several African-Americans in a natural setting, with trees punctuating the picture plane and foliage above. Bennett College Art Gallery, Greensboro, NC Douglas said of the image, "I used the Egyptian form, that is to say, the head was in profile flat view, the body, shoulders down to the waist turned half way, the legs were also done in a broad perspective . Aaron Douglas Harriet Tubman, 1931, oil on canvas. Love, Nicole "Harriet Tubman"1931. Just below her sits a cannon, wafting smoke directly to her right, and a kneeling figure with his hands shackled together, who looks up at her. Oil on canvas "Aspects of Negro Life: From Slavery to Reconstruction" 1934. Rendered in a dark shade of green atop the lightest portion of the painting, she provides a focal point for the viewer as her arms stretch upwards, revealing a broken set of shackles. Aaron Douglas: The Creation This painting show’s God’s creation of the first human.

From African Art, we see him using a distinctly Egyptian style, with silhouetted, composite figures in profile arranged in rows.

Nikole, I have been a fan of Mr. Douglas since high school.

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